Good Men, Good Women

1995 · Movie · 108 min. · Taiwan

Good Men, Good Women

The final chapter of Hou Hsiao-Hsien's trilogy on Taiwanese history (that also includes A City of Sadness and The Puppetmaster), Good Men, Good Women provides a poignant, harrowing, and thematically complex portrait of postwar and contemporary Taiwan. By presenting the temporal confluence of three separate historically and personally relevant time periods, Hou not only reveals Liang's behavioral pattern of anonymous affairs, emotional isolation, and inner turmoil, but also parallels her self-destructive behavior with the national crisis of identity, hedonism, and cultural disconnection in contemporary Taiwan. In essence, Liang's betrayal of Ah Wei's memory is a modern day, personal manifestation of a national, historical event: the seemingly random persecution of Taiwanese people by their own government during the White Terror. Inevitably, like the nation, Liang is forced to reconcile with her own culpability and ignominious past in order to find closure and inner peace.

Original title Hao nan hao nu (Good Men, Good Women)

6.9

164 votes (FilmAffinity)

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