Everything (S)

It’s like David OReilly’s cool image worlds were made for computer games, even if his second game, Everything, also doesn’t follow any conventions and instead asks gamers to be patient. The intentional imperfections in the movements and characters alternating between micro- and macrocosm are charming and funny, thus making the “machinima”—excerpted from the game—a great movie and at the same time a beautiful reverence to the Eames classic,