160 metros: una historia del rock en Bizkaia

160 Meters: A Story of Rock in Bizkaia is a transmedia project that tells the social transformation that has taken place on both banks of the estuary of Bilbao during the 1990S, from the perspective of rock music. The title refers to the distance that separates both banks of the Nervión River, having the Hanging Biscay Bridge as a mute and (in)mobile witness, emphasizing the sociological and economic differences that are materialized, in a context of deindustrialization and construction of the Guggenheim Museum, in two different rock scenes, and even two different ways to approach life. The one on the Left Bank had an edge more punk and social (Eskorbuto, Parabellum, Zarama, etc.), and the one on the Right, with what was referred to as Getxo Sound, a more hedonistic and global character (El Inquilino Comunista, Los Clavos, Lord Sickness, etc.).