De Salamanca a ninguna parte

De Salamanca a ninguna parte tells the story of a generation - the so-called “New Spanish Cinema” - that emerged from the Conversations of Salamanca (1955) and which tried to show the social reality of our country. Despite everything, we have a handful of good films: Del rosa al amarillo (by Manuel Summers, 1963); La tía Tula (by Miguel Picazo, 1963); Nueve cartas a Berta (by Basilio Martín Patino, 1965) and La caza (by Carlos Saura, 1965). Because in those years Patino, Borau, Camus, Picazo, Summers and Saura tried to do something of great importance: a different kind of cinema, more critical, more innovative and personal, values that we unfortunately miss today. Introduced by director Chema de la Peña