La Dernière s(cène) (S)

Reinterpretation of the last supper of Christ, inspired by the painting by Da Vinci and in the text from the Gospels, where Lehman appears under the features of the Messiah together with filmmaker disciples. The death foretold entwines here with the motive of the destruction of a Brussels quarter that serves as background, connecting the daily and sacred nature in an aesthetics that oscillates between the irony and the epiphany.